[Freepats] multilayer editing with swami
Marcos Guglielmetti
marcospcmusica at gmail.com
Mon Jul 2 06:25:37 EST 2007
http://www.musix.org.ar/tmp/swami/steinway_imis_2_layers2007-07-01T.ogg
El Domingo, 1 de Julio de 2007 23:50, Roberto Gordo Saez escribió:
| On Sun, Jul 01, 2007 at 04:57:18PM +0200, Marcos Guglielmetti wrote:
| > Feel free to write me in english: I can understand it perfectly.
| > My problems is that sometimes I dont have time to write in english.
|
| OK.
|
| > BTW: you did not made any loop to the samples into the sf2 file, why? I
| > mean, I can understand tha we like HQ, but... from the 70% of the sound
| > sample and up to the end you almost cant listen.
|
| Maybe you have some backgound noise on the room? I have a passive cooled
| computer and on a silent room I can perfectly hear the sample to the end.
| Try with a chord instead of a single note, I'm sure you will also be
| able to hear full samples at a normal volume.
YesI hear them, but my idea was: do we need this? So, I am cutting at 20s when
the sample is 40s and I think nobody will be 40 or 30s pressing a key... but,
I dont know
| Signal/noise ratio is very poor in the softer part, though. Using sorter
| samples will help to avoid the noisy parts.
|
| > I can understand that this is the best for a HQ sf2, but in the future
| > we could use some interesting loop methods, using "until release" loop
| > mode, and merging parts of the sample in the way tha we could make
| > perfect loops, I will show you something like this if I could do it.
|
| Correct, loops are missing. Take a look at this mail by myself:
|
| http://opensrc.org/pipermail/freepats/2007/000117.html
|
| Choosing good loop points (in a way that they can't be noticed) takes
| many time, and I'm lazy, so that is the main reason for no loops :-)
Sure, verdad. And for now I dont understand how Swami does it, I will see it
in the future
| > Also, the IMIS steinway sound samples are not normalized, I can also
| > understand that the pp and mf layers must not sound with peaks of 0 db,
| > but the FF layer I think it could do it.
| >
| > The problem with this issue is that in that case we will have to
| > increase the overall volume, not just the FF layer... I will see.
| >
| > For instance, FF b2 needs 11.9 db to be at full volume, this will allow
| > us to listen to the final sound at the end of the sound sample
|
| I've tried to use a tool called normalize-audio:
|
| http://normalize.nongnu.org/
|
| The result was not so good. I've made some research, and it seems that
| an acoustic (non electric) piano is a very difficult instrument to
| balance, because all parts (attack, sustain...) may require different
| gain levels. It looks that some professional (and expensive) piano
| soundfounts are normalized by applying a custom amplitude envelope to
| each individual sample, balanced by ear in comparison with all the other
| notes. That's a lot of work!
|
| I've opted to just apply a certain gain to each sample and forgot about
| this issue for now. It is far from perfect. You can find the samples
| I've used here:
|
| http://freepats.opensrc.org/sf2/acoustic_piano_imis_samples/
Used...
| They are cropped, but before applying the gain. I think you could start
| from scratch anyway, since very little is actually done. Now you can
| understand why I've said the soundfont was only a demo, eh? :-)
I started from scratch because swami did not allowed me to save the work, so I
started a new one and swami saved it into ~/Untitled.sf2
75mb, 2 layers, mf and ff
I needs much more work:
http://www.musix.org.ar/tmp/swami/steinway_imis_2_layers2007-07-01T.ogg
| Well... just try to make something better each time, and with enough
| time we will end with a very good soundfont.
|
| > what do you think about this and the other issues?
|
| Some samples contain "clicks" or other noises inside, try to avoid them
| (look for my previous mails). Also, let me suggest you to keep a copy of
| the processed samples used by you, but before they are normalized. They
| would be useful if at a latter time we want to "renormalize" them in
| other way.
Yes, I will do it, I never remove something like this.
Well... just some ours of work for now,I hope I (or we) could do ir better in
the future.
I will compress the sf2 and upload it to: http://www.musix.org.ar/tmp/swami/
into a bz2 file (26mb)
La diferencia de timbre entre mf y ff es muy notable, y tampoco sé dónde
situar exactamente el límite entre una y otra capa.
The difference between mf and ff is too high...
Regards,
--
`&'
# Marcos Guglielmetti, co-director de
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and I say 'Why not?' - George Bernard Shaw
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